Saint Michael Archangel defeating Evil

(probable preparatory sketch)

oil on canvas

41 x 32 cm.

with frame 51 x 42 cm.

The proposed painting is the work of a Neapolitan painter working at the beginning of the 18th century, whose stylistic and compositional traits lead us to the production of Luca Giordano, although the composition also betrays the influence of the Roman classicism reigning at the end of the 17th century, discernible in the serene and casual atmosphere.

The style and format of the painting under examination suggests that we are in the presence of a presentation model, intended for larger compositions.

The composition shows the Archangel Michael engaged in the battle against evil, portrayed as a young knight, strong and delicate at the same time, who, with outstretched wings and an imposing cuirass with a red cloak, holds his sword against the rebellious angel, lying at his feet in the flames of hell, admonishing him with the other hand. The soft drapery envelops the angel's body with an intense classicism, where a balanced composition concentrates the observer's attention on his angelic face.

Supreme Commander of the angelic hosts, he is depicted here with his strong symbolic power, representing the victory of Good over evil, of Light over darkness.

The work can be ascribed, in particular, to the Neapolitan Giovan Battista Lama (Naples, 1673 - 1748) and his workshop, whose initial training in painting was with Luca Giordano, and who later became more and more closely acquainted with the manner of Paolo de Matteis, so much so that in the past, a number of works have been attributed to the latter, which are now definitely attributed to Lama, given the similarities, both stylistic and compositional, between the two rather marked.

The two painters also had a kinship link (our painter having married Nunzia Perrone, De Matteis' sister-in-law), which led them to a lasting stylistic proximity.

Lama's skill, which brought him great success, was therefore that of being able to absorb Solimena's solemnity, the classical matrix of Roman Marattismo and mould his youthful background linked to De Matteis and Luca Giordano.

ADDITIONAL INFORMATION:

The painting is sold complete with a pleasing gilded frame and is accompanied by a certificate of authenticity and descriptive iconographic card.

We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers.

Should you have the desire to see this or other works in person, we will be happy to welcome you to our new gallery in Riva del Garda, Viale Giuseppe Canella 18. We are waiting for you!

Contact us for any information or to arrange a visit, we will be happy to answer you.

In case of purchase of the work by non-Italian customers, it will be necessary to obtain an export permit, which takes about 10/20 days; our gallery will take care of the whole phase until it is obtained. All costs of this operation are included.

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