Antoine Coypel (Paris, 1661–1722)

Workshop/follower

Diana with her nymphs

Oil on canvas

88 x 120 cm.

In frame 104 x 134 cm.

The scene, set in an outdoor mythological setting characterised by a soft, theatrical atmosphere typical of the 17th-century French school, depicts Diana, goddess of the hunt, easily recognisable by the crescent moon on her head, partially undressed with a blue cloak draped over her legs.

The goddess, seated at the centre of the composition, is surrounded by her handmaidens and nymphs who are assisting her whilst she bathes, following a hunting expedition, as indicated by the bows and quivers laid aside; a handmaiden on the left is kneeling whilst helping her remove her shoes, whilst another, on the opposite side, hands her a basket brimming with fruit and flowers.

The work derives, albeit with some variations, from a composition by Antoine Coypel (Paris 1661–1722) held at the Musée Départemental des Vosges in Épinal, France (fig. 1 – https://www.pubhist.com/w74885 ), which was already celebrated in its day thanks to engravers such as Pieter van den Berge (1694–1737), who contributed to its dissemination (Rijksmuseum, Amsterdam, fig. 2 – https://id.rijksmuseum.nl/200395096 ).

This work, “Le Repos de Diane”, intended primarily for the enjoyment of collectors who favoured this subject to adorn their private rooms, enjoyed great success from the original of 1695 onwards, as evidenced by the numerous period copies; among these is our own, the work of a follower or a painter from Coypel’s workshop.

Given his position as director of the Académie Royale and “First Painter to the Duke of Orléans”, Coypel exerted an enormous influence on a generation of early 18th-century French painters, who studied his great decorative cycles such as the Gallery of Aeneas at the Palais-Royal in Paris.

The painting, of excellent quality, reproduces the carefully studied composition, where the measured postures of the nymphs in the foreground serve to direct the viewer’s gaze towards the central figure of Diana. The use of warm colours and the softness of the forms reflect the influence of Coypel’s style, renowned for his mastery in depicting elegant mythological scenes.

ADDITIONAL INFORMATION:

The work is sold complete with an attractive gilded frame and is accompanied by a certificate of authenticity and a descriptive iconographic sheet.

We arrange and organise the transport of purchased works, both within Italy and abroad, using professional and insured carriers.

You can also view the painting at our gallery in Riva del Garda; we would be delighted to welcome you and show you our collection of works.

Please feel free to contact us for any further information.

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