Castelbarco

Antiques Gallery

Fima - Federazione italiana mercanti d'arte

Pendant di opere 'Paesaggio con scena bucolica', 'Paesaggio con scena di caccia'

Pittore piemontese della seconda metà del Settecento

Piedmontese painter of the eighteenth century
Pendant of paintings
Landscape with wild boar hunting scene
Landscape with pastoral scene

Oil on canvas
66 x 132 cm
framed 68 x 134
D20-119 € 8.600 Request information

We show you this pleasant pendant of paintings, characterized by a clear atmosphere and a delicate chromatic harmony, in perfect harmony with the rocaille taste of the Savoy capital of the full of the second half of the 18th century, and can be compared to a Piedmontese painter, presumably active in Turin in that period.

The first work, with a pastoral and Arcadian character, shows a small group of shepherds, intent on guarding their animals: the romantic theater that sees a shepherd on horseback singing a song to cheer the rest of the companions to make the scene affected. In the second work, however, the composition is centered on the lively and rich group of figures of hunters who, armed with swords and spears and with the help of hunting dogs, surrounded the wild boars.

The style of our two canvases, as well as the type of subject represented, evokes the compositions of Vittorio Amedeo Cignaroli (Turin, 1730 - 1800) with the illustrative tradition repeatedly addressed by the author, the main landscape painter of Piedmontese Rococo, as recalled in the canvases made for the Palazzine di Stupinigi and Racconigi.

His technical ability and his rigorous craft earned him the esteem of the Savoy court and consequently of the Piedmontese nobles. His workshop expanded considerably due to the numerous commissions, inducing him to avail himself of the help of a considerable number of workers, apprentices and professional painters who deal with the landscape, figures or costumes according to their specialization, so it becomes difficult to establish whether a work is a workshop or an independent painter.

Paintings of this format and of these subjects, often made in groups, were commissioned to be placed in palaces or in small Piedmontese and Lombard castles. Shape and size would suggest that the canvases were originally placed as over doors, or created to embellish part of a boiserie.

For more information, please contact us.

Painting accompanied by a certificate of photographic authenticity in accordance with the law (FIMA)
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